Archives for posts with tag: William Beveridge

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Installing ‘Full Employment in a Free Society (1944)’ on last Sunday afternoon in the basement of Strutt’s North Mill Belper.

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The Belper Art Trail 2013 is on from Monday 8 to Sunday 21 July at venues across Belper and more information about the trail and a trail guide, which lists the 17 artists and the venues for their work, is available from Corridor Arts.

Andrew Martyn Sugars (Corridor Arts) who has curated the trail and Sarah Skinner, the Mill manager, were interviewed in last week’s Belper News (3/7/13) about the Art Trail and my imminent arrival! In the article Sarah said, ‘The Strutt Mill complex harnessed the power of the Derwent to produce cotton thread that wound its way across the world so Tim Shore’s work is really appropriate here, referencing as it does weaving, workforce and mechanisation as well as commenting on the austere times we live in today.’

Here’s a link to Strutt’s North Mill Belper and the Belper News article.

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A recent purchase, research for ‘Tape Measure’. One old typewriter ribbon from Imperial Business Equipment Ltd., Leicester, England. BLK/RED

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I moved to Derby at the end of March 2013 and soon after heard that my proposals for the Wirksworth Festival and the Belper Art Trail were both successful. Belper and Wirksworth are both just up the road from Derby. The Belper Art Trail is in July, and the Wirksworth Festival is in September. Also a proposal to art:language:location, an art exhibition in Cambridge (October) was successful too.

I’m going to be making two installations, ‘Full Employment in a Free Society (1944)’ for Belper and ‘Tape Measure’ for Wirksworth and one intervention ‘Caution: Misery generates hate’ for Cambridge.

All three works are concerned with language and text.

‘Misery generates hate’ is the clarion call of ‘Full Employment in a Free Society’ (1944) by the British economist and social reformer William Beveridge. This book and the report that preceded it (Social Insurance and Allied Services, known as the ‘Beveridge Report’, 1942) mapped out the blueprint for the post war welfare state and its attendant qualities of publicness, common ownership and the public good. ‘Misery generates hate’ is from the novel ‘Shirley’ (1849) by Charlotte Brontë. Shirley is a romantic and dramatic novel that fictionalises elements of the West Yorkshire Luddite uprising of 1811/1812 when skilled workers in the textile industries sabotaged and destroyed the new machinery that was being introduced into the workplace and directly threatening their livelihoods and jobs.

art:language:location is the first to have pages up about participating artists and more information about the exhibition which ‘aims to punctuate Cambridge with a series of visually exciting and unexpected encounters in which our everyday interactions with text can be explored and challenged’ can be found here.