Archives for posts with tag: installation

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Installing ‘Full Employment in a Free Society (1944)’ on last Sunday afternoon in the basement of Strutt’s North Mill Belper.

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The Belper Art Trail 2013 is on from Monday 8 to Sunday 21 July at venues across Belper and more information about the trail and a trail guide, which lists the 17 artists and the venues for their work, is available from Corridor Arts.

Andrew Martyn Sugars (Corridor Arts) who has curated the trail and Sarah Skinner, the Mill manager, were interviewed in last week’s Belper News (3/7/13) about the Art Trail and my imminent arrival! In the article Sarah said, ‘The Strutt Mill complex harnessed the power of the Derwent to produce cotton thread that wound its way across the world so Tim Shore’s work is really appropriate here, referencing as it does weaving, workforce and mechanisation as well as commenting on the austere times we live in today.’

Here’s a link to Strutt’s North Mill Belper and the Belper News article.

Tape Measure Final 96DPI

This is my first working drawing for Tape Measure, an installation for the Wirksworth Festival 2013. I was thinking of a blueprint when I made it and I do realise that I have to stop using that image > adjustment > invert button in Photoshop. The dimensions are not fixed yet or a decision made on how I’m going to make it. I think there may be some structural issues to overcome because the disc will be made from a continuous winding of paper, carbon paper and typewriter ribbon.

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CASTLE / SHED / CHAIN

First test for a larger sculptural weave project, although at the moment there is no weave in it just one continuous piece of weft yarn.

The title is made up of three technical terms from handloom weaving: castle / shed / chain. The castle sits on top of the loom’s shafts and organises the warp thread, the shed is the space created between the upper and lower warp threads and a chain describes how the warp threads are organised in preparation for threading on to a loom. Castle / shed / chain also suggests a hierarchy and metaphor for the organisation, mechanisation and regulation of the early textile mills.

I’ve made a small test model that is sized to fit into my sketchbook. The landscape A4 card folds out to a 90º angle and in doing so pulls the yarn taut. The yarn is held in tension as long as sufficient pressure is applied. I’ve used corrugated card that is too thin and is easily pulled out of shape and I didn’t use a long enough piece of yarn and therefore you can see a knot in one of the photographs. Despite these problems I’m pleased with this first test and will make a second larger version. This project leads on from the preparatory sketch posted under ‘Drawing’ (January 20, 2013).

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